The Thematic Paradigm

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The Thematic Paradigm and Film Noir both mention traits of imagination; multi-layered truths; and the type of characters that is in the movie L.A. Confidential, by Curtis Hanson. L.A. Confidential is a Film Noir movie because it exposes the traits of violence, obsession, heroes, femme fatale, and crime lords. The movie focuses much of its genre in the tone. Thematic Paradigm does exist within L.A. Confidential. The Thematic Paradigm focuses on characters like the official hero and outlaw hero describing in depth how their life plays out in the movie. It also explains the position that a femme fatale plays in the outlaw hero’s life. The Thematic Paradigm is just an inclusive outline review explaining the characteristics that are played in L.A. Confidential.
The film L.A. Confidential has an official hero, outlaw hero, and a femme fatale that is clarified in Thematic Paradigm. Adulthood, obsession, undertaking even public duties to get ahead, and knowing the main …show more content…
The anti-hero is usually a flawed moral character just like the outlaw hero. In the interrogation scene, Exley was interrogating a black male in order to find out where a kidnapped female was being held, but White’s patience blow over and he busted in the room to scare the guy by placing a gun in his face. In the article “The Rise of the Anti-Hero,” by Jonathan Michael acknowledges “The moral compromises he or she makes can often be seen as the unpleasant means to an appropriately desired end—such as breaking a finger to get answers—whatever it takes for the protagonist to come to justice” (6). In other words, White has flawed morals, but good intentions. His moral flaws are simply moral flaws like his uncontrollable and violent temper. That is what makes White’s character so great. The audience can connect with him more because he is fighting against his interpersonal issues that we as an audience are scared to

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