Belinda Rincón, wrote the article Media, militarism and mythologies of the state: The Latino soldier in World War II films where she begins by discussing Ken Burns 15-hour documentary, The War, which describes the experience of soldiers during World War II, but leaves out the point of view of 500,000 Latinos who served in the war efforts as an afterthought (Rincón, 283). Ken Burns did not believe that the Latin American war time perspective ‘fit in’ with the overall experience of World War II that he was crafting as the main narrative for his documentary. “The controversy over Burns’ documentary points to a longer history of the representation of Latino soldiers in popular film and the social and political consequences of making these soldiers invisible or visible on screen” (Rincón, 284). In visual films, popular culture and in schools, Latin American history and its people are perceived a certain way or