Through powerful storytelling and astounding performances, Melfi transports his audience to this time of ignorance and segregation and shows them scenes like Taraji’s famous “I work like a dog day and night,” one of the arguably best scenes in the movie in which Katherine is subject to interrogation in front of her peers on where she goes for hours of the day, “to the bathroom sir.” Eventually, Stafford is faced with Katherines small burst of rage on his blissful ignorance, explaining to him and showing him that his idea of how she is treated is not the same as reality This scene is so powerful from the emotion and feelings within Henson's voice, but is amplified by the messy look she has from running through the rain, her hair soaked, makeup smudged, and clothes not much better. Mefli’s use of dim lighting to not distract but instead compliment Henson’s performance along with the occasional cut between Katherine and Harrison conversation to Stafford shows that Stafford knows why she isn’t there but let Harrison bombard her with question after