Throughout much of the poem, the speaker repeats soft “s” sounds, “I love to hear her speak, yet well I know / That music hath a far more pleasing sound; / I grant I never saw a goddess go; / My mistress, when she walks, treads on the ground” (9-12). The repetition of the soft “s” sound creates a very uniform, polished sound. The smooth sounds that the speaker employs are reminiscent of the polished, perfect woman who so often are described in poetry - particularly sonnets. The speaker’s words, however, do not describe a polished, perfect woman. Instead, the speaker describes a woman whose eyes “are nothing like the sun,” a woman with “black wires” growing on her head, a woman who simply is not a goddess. The soft “s” sounds that the speaker employs throughout the sonnet, then, are in stark contrast to the meaning of the words themselves. Though soft “s” sounds are often used when expressing a quiet admiration for an individual, the speaker in “Sonnet 130” spends the large majority of the