While Viola disguising herself as Cesario could be interpreted as an element of the plotline that has suggestive homoerotic meaning, Shakespeare sets in stone that he wants to address homoeroticism, a topic that would no doubt would be controversial in the 17th century, with the obvious attraction Antonio has for another man. Shakespeare could have just shown strong camaraderie by having Antonio’s only reason for going to Illyria with him to be that Sebastian could risk his life by going there by himself. He could have also an ultra-implication of homosexuality by having Antonio just going to Illyria with Sebastian out of pure love. But, in the end, Shakespeare melds the two factors for a paragon of a character that is still a person with tender feelings and a big heart. In the 17th century, being gay was seen as a moral constraint that if publicly displayed could mean in perpetual harassment, threats, and even arrested or murdered. To have Antonio be such a relatable, kind, tender-hearted character in Twelfth Night was Shakespeare laying out his opinion on the elusive