The ending is an incredible mix of sorrow, joy, triumph, and revenge. del Toro has been working toward this moment of cinematic synthesis, where art, pop, and political passion are mixed with his own unique, childlike access to the visual language of unfettered imagination. His movie is that original, and that attuned to the power of myth. The movie is a breathtaking visual creation, with a feat of hypnotism from cinematographer Guillermo Navarro, who even gives the fairies and frogs their own shimmering dignity. For this movie is rated R, for some graphics, and blood-spattering violence, Pan’s Labyrinth may not be the type of story for young viewers. So long as one day they’re granted admission to enter del Toro’s magic kingdom, where adults can grasp at a filmmaker’s