When talking about a movie’s message whether it is political or not, the biggest concern is whether the message is implicit or explicit. For a movie to have an explicit message that is a directors or writers conscience decision to include that message in their work. An example of an explicit message in a movie is a documentary that conveys a message to its audience which than asks the viewing audience to either accept and believe the movie’s message or oppose the movie’s message. The other type is an implicit message, this where the director or writer does not make a conscience decision to send a message to the viewing audience. The movie’s message may therefore be up for interpretation from each different viewing audience member. An implicit message is what we have studied thus far in the movies we watched in this class. As you can see from some of our discussions and readings there may be a message that many viewers agree on, I will later discuss some of the implicit messages in two of the George Romero films we watched early in the semester to further strengthen my point. Nevertheless, for now I would like to continue explaining the implicit messages, which are crucial to my earlier questions. The director or writer can control implicit messages but in most cases, the implicit message is up to the viewing audience to create and discern. Leaving the implicit message up to the viewing audience allows the viewing audience to use their personal biases, experiences, and ideologies to decide for themselves what the actual implicit message may or may not be. A definition of both implicit and explicit is, “Explicit meaning is right there on the surface of things—it is the result of what we have been explicitly shown and told onscreen. When we recount a movie’s explicit meanings to someone else, the result can sometimes sound like plot summary. Implicit meaning, by contrast, is more like our traditional notion of meaning; when we attempt to state a movie’s implicit meanings; we are attempting to convey something less obvious, something arguable about it that conveys a “message” or “point” (Barsam, R., & Monahan, D., 2009).” Now, I believe we have a strong foundation for looking at how a zombie movie may