The ocean is one of her favorite places as it fuels those curious senses. Indeed, Marie-Laure loves the “beach days” she has with Madame Manec, she thinks to herself, “A months-old knot inside Marie-Laure begins to loosen. She imagines a walled city behind her, its soaring ramparts, its puzzle of streets. All of it suddenly looks as small as Papa’s model. But what surrounds the model is not something her father conveyed to her; what’s beyond the model is the most compelling thing,” (Doerr 232). From this, the readers can infer that Marie-Laure has moral role models, like Madame Manec, Uncle Etienne, and her father. She is given proper guidance with her childish innocence, she isn’t told what’s going on, but only imagines as she naturally should. Focusing on Marie-Laure’s earlier life before moving out of Paris, her father was a museum key-holder, so often that’s where Marie-Laure explores. She loves to feel her way around, so much so that she gets attention. Specifically, many kids pose questions about her and her blindness, but they ask as if it is an unfortunate and bad trait she’s missing out