The space is simultaneously political, spiritual, and sensual.
The descriptions of the female black voice as a “rud noyse, a strong nasal sound, or very loud and shrill” assert the unfamiliarity of the voice, the otherness of it. The black voice is part of the black body, the black body was deemed the very antithesis of all that was white and therefore human. This notion of otherworldliness is not a new concept. Female slaves were told of keeping audiences spellbound with their ancient tales; with the tone of the voice, its inflections, its register, the cadence, the pauses and silences. In the context of otherworldliness, the sound which is not captured is represented by an artist in poetry, prose and music. most