A formless fear cannot be equated with the actuality of a husband dead by his own hand. The third stanza makes an even stronger case for the power of the imagination. The first two words--"And if"--cast the entire stanza into the speculative mode. The second clause is appositive to the first, as in the first stanza, and both clauses express conditionality stemming directly from "And if." This interpretation is further supported by the sensuousness of the central image of the stanza, the "starry velvet" of the "Black water, smooth above the weir," that may be "ruffled." These couturier images emanate from the sensibility of a woman's mind ranging through imaginative possibilities, and we must know that we are indeed inside her mind, not directly the mind of the poet. The true subject is the enormous power of the creative imagination, which seizes the miller's wife in its fearful grasp, and many a reader along with her. Even the woman herself is called only the miller's wife, with no name or identity separate from his. Robinson's subtle use of form seduces the reader into following the miller's wife into a depth of imaginative fear that has no grounding except the miller's one sad statement. The miller's statement is the interpretive balance point of the