He makes the claim that, “all three authors put forth truncated and distorted accounts of their object due to their abiding wish to articulate and even celebrate the fundamental goodness of America’s urban poor.” (1469) Wacquant critiques sentimental analysis, and concludes that these authors exploited their subjects by painting untruthful pictures for the sake of profiting off social phenomena. He ended his article with 5 “cardinal rules” that authors in this genre follow when “writing about the (black) poor.”