It was important for each countries government to attune the art they produced to the desired dimorphism of their people and to emphasize local infallibility over foreign inferiority. To each country the necessity to find a simple graphic nature that captured the idealism of its people was of great importance beyond that of promoting the progression of fine art technique. The weaponization of art as propaganda showed how global strategies were shared and exploited. Though propaganda can be perceived as toxic and lethal art, it can valued when contextually synthesized. If we share common delusion caused by propaganda inspiring us to a common cause such as war and we recognize that, then we must see that we can share a common reality caused by propaganda that is better than war. The romanticizing of the human figure, the North Vietnamese propaganda artists acted to harness the perspectives of the common class to give their lives collectively to a common goal, in this case war. The beauty of Look After the Land, Look After the Young People hangs now in my home as a symbol of a shared global humanity, an intellectual and physical reminder that propaganda art is not always at