ThaT”: RegReT anD coUnTeRFacTUals in hemingway’s “The snows oF KilimanJaRo”
JENNIFER RIDDLE HARDING
Washington and Jefferson College
ERNEST HEMINGWAY IS KNOWN—AT TIMES EvEN PARODIED— FOR SHORT STORIES that rely heavily on dialogue interspersed with clipped narrative reports offering little evaluation or interpretation. This style is prominent in some of his best-known stories, such as “The Killers,” “A Clean, WellLighted Place,” and “Hills Like White Elephants.”1 How surprising, then, that “The…
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