rely heavily on dialogue interspersed with clipped narrative reports offering little evaluation or interpretation. This style is prominent in some of his best-known stories, such as “The Killers,” “A Clean, WellLighted Place,” and “Hills Like White Elephants.”1 How surprising, then, that “The Snows of Kilimanjaro” has joined these others as one of his most anthologized stories, appearing, for example, in The Norton Anthology of American Literature. Longer, divided into several distinct sections, and…
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