93). He interprets homemaking practices as being grounded in personal and social meanings, with decoration as a means to appropriate a residence into a home. Ariztia’s analysis of materiality crucially does not reduce these objects to symbols of social divisions. Instead, he argues the practice of decoration results in the active production of class and culture (p. 95). This is emphasized by his focus on personal accounts of social belonging in decoration choices, as the arrangement of old possessions in a new home requires the production and consideration of individual narratives of social mobility and is therefore not a neutral process (p.