The Annunciation Analysis

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The Annunciation is an alter piece from circa 1430, painted by Bicci di Lorenzo and Stefano D’Antonio di Vanni. The Main body of work shows the angel Gabriel coming to tell Mary that she is going to give birth to Gods child. The dialogue of The Annunciation scene is inscribing in their halos . The three predella panels at the bottom of the scene show the life of Mary. The first showing the birth of the Virgin, the second showing Mary’s presentation to the temple and the third shows the virgins death. On the top gold panel, the Old Testament prophet David is depicted overlooking the entirety of the scene.
This Annunciation shows strong characteristics of Renaissance artworks. From the faces of Mary and the angel Gabriel to the attempt toward …show more content…
In the Birth of a virgin panel we can see again the depth and perspective of the room and outside building has been depicted. The scene is spacious and allows the depth of the image to draw the viewer in. In the middle panel, D’Antonio shows the presentation of the virgin to the temple and again, the depth within the buildings colonnade and now the juxtaposition of the figures around the columns allow the space to be read as deeper, which was a major theme of renaissance art at the time. In the final panel D’Antonio depicts the death of the Virgin, and again uses the concept of juxtaposition of overlapping figurers in order for the space to read as more naturalistic. Even the halos of the figures block aspects of the scene as to maintain the composure of the proper depth …show more content…
Educated in his father’s workshop, Lorenzo eventually took it over after his father’s death in 1405. He is known for his works for the Medicis where he created the Cycles of Illustrious Men . Also his works for Niccolo di Uzzano, where he created frescos and panels of Santa Lucia De’Magnolia, which was a triptych for a villa in Greve, this work is documented but is lost. The Met Also houses a few works by Bicci di Lorenzo, including the 1433 painting Saint John the Baptist and Matthew , Lorenzo’s Saint Nicholas Providing Dowries 1433-35 , and Lorenzo’s Saint Nicholas resuscitating three youths . Bicci Di Lorenzo used his workshop until his death in 1452, leaving his workshop to his son, Bicci di Neri.
Not much is known about Stefano D’Antonio Di Vanni other than he spent a long time working alongside Bicci di Lorenzo. Because the styles of the bottom three panels are different then the main panel it is speculated that they were done by Seffano D’Antonio Di Vanni . He is known for his rendition of the Last Supper or “Ultima Cena”, showing Christ and his deciples. He is also known for his rendition of the Baptism of Christ or “Battesimo di Cristo” . Both of these painting have survived and are in Tuscany,
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