In other words, throughout Julio’s point of view, woman and mother figures were immense fragments of his life in the undesirable approach. However, some think that his stories were generally influenced by his imprisonment, this being a reasonable possibility because, at the occasion of his conditions, Julio was somewhat reserved in his bed, which displays in “Don’t You Blame Anyone” when the man was restrained and enveloped by a sweater. Nonetheless, I believe my claim to be farther more appropriate since Julio was not essentially imprisoned throughout his lifetime, and imprisonment did not influence “The Night Face Up” as plentiful as his relationship with his mother did. For example, the beginning of Julio corresponding to his short stories, where the woman contributes to a setback. If his mother had not encouraged him to remain in bed reading, Julio most likely would have recovered at an earlier age by being involved in physical activities: “His mother, an admirer of Verne, supplied her son with the novels of his namesake”(Fantasies Of Julio Cortazar). Essentially, offering collections of Edgar Allen Poe or Verne for Julio to devote his time to was not the ideal suggestion. To validate this indication, in “Don’t You Blame Anyone”, a man’s wife triggered the death of her husband by being the source of conflict in the commencement of the story: “…but now at six-thirty his wife is waiting for him at a store to choose a wedding present…”(45). Basically, if his wife had not