The Red Scare: The Rise Of Communism

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In the late 1940s to early 1950s, during the Cold War, hysteria became widespread throughout the United States after threats were posed by self-proclaimed communists living in America. This panic was widely known as the Red Scare. Rumors began to emerge of communists in Hollywood, so in an effort to contradict these views, studios tried to promote their anti communist views. Studios achieved this by blacklisting actors, producing movies showing the threatening effects that communism could have, and developing songs relating to the Cold War. One way that Hollywood Studios were demonstrating their anti communist views was by blacklisting various actors and studio personnel that were thought to be displaying communist views. One proclamation of blacklisted individuals, known as the Red Channels, was a list of people who were thought to be affiliated with communist principles. Different agencies, networks, and sponsors accessed the list to know which individuals to remove from their broadcasts. These lists would go through the clearance department of different agencies. These departments would determine which guest stars were allowed on talk shows, costars on …show more content…
One such movie released in 1949 beared the name I Married a Communist. This movie told the story of one “newly wed shipping executive who is targeted by communists operating on the San Francisco waterfront because of his past association with the Communist Party” (source 2). Playwright Arthur Miller describes his experience with the Red Scare panic in source 5. Miller received significant amounts of scrutiny following his play, Death of a Salesman. Individuals believed his work proved him to be un-American, and because of the opinions of these individuals, the studio that produced his play changed minor details in the film to allow it to appear more