Soon, we began to interview other people and found Mary Anne Trasciatti, granddaughter of a garment worker and president of the Triangle Shirtwaist Memorial. She expounded on the horrific working conditions and sexism workers (who were mostly female) were put through. The Triangle Fire was a turning point that changed these aspects. Furthermore, we visited the site of the fire, now known as the Triangle Shirtwaist Memorial, to deepen our understanding of the past. We decided to create an exhibit as it was the most visually compelling for the audience to understand through a spatial and sensual perspective. Also, we recreated the model of our exhibit after the factory and the Triangle Shirtwaist Memorial. Many of the stylistic and aesthetic elements used in the memorial are used in our exhibit, including the names on the ceiling, the white bricks on the exterior, the rows of polished glass windows, and many others. A major obstacle we were met with when making our project was our