Certainly, to make a living with an instrument, one must demonstrate an adeptness while playing it. Nevertheless, Viola is mistaken. Her eyes and ears conclude that the Clown is a musician, but this is not reality. Shakespeare uses stage directions and dialogue to illustrate yet another misunderstanding in a play of misunderstandings, and that is why this passage is so meaningful. The Clown’s ability with the tabor fools the eyes, much like Viola’s disguise as Cesario fools Orsino, and the ears, much like Sir Andrew’s embellished version of Sir Toby’s challenge fools