SaucdoAround measure six we missed a whole beat and it seems like it threw a lot of people off. Our tempo skyrocketed. Around measure thirty seven we rushed majorly and our notes were cut short as if they were cut in half. Every hit was rushed faster and shorter as they kept going. Intonation around measure sixty was rough, as if people were off. Some saxophones were reading the wrong measure in the phrase around sixty-six. Winds were well blended. We jumped the beat also. At measure seventy-nine our molto ritardando was great and added a great deal of color to this composition. At eighty-six our climax was great and well enjoyable by everyone and the resolution at measure ninety-four was a great deal of a difference from the climax. After measure one hundred three is sounded as the lows were off beat. At measure one-hundred-twenty-one, we did not blend well. At the two four measure, we were off beat for sure for at least a measure. It was our best piece, because dynamics, blending, and intonation were great in this