Tolnay, “The African American ‘Great Migration’ and Beyond,” Annual Review of Sociology, Vol. 29 (2003): pp. 78-95. 214, https://www.jstor.org/stable/30036966 6 Tolnay, “The African American ‘Great Migration’ and Beyond,” 215 7 Olivia B. Waxman, “The Overlooked LGBTQ+ History of the Harlem Renaissance,” 4 LBGTQ+ identities often weren’t accepted in their own families or other Black community spaces, such as the church. The Harlem Renaissance was far from a hegemonistic movement. Ted Gioia describes in The History of Jazz a tale of “two Harlems.” On one hand, there was a burgeoning Black cultural elite who, by the late 1920s, controlled 70% of Harlem’s real estate and was responsible for defining the history and culture of the Renaissance through literature (thinking of figures such as Alaine Locke, W.E.B. Du Bois, and Langston Hughes); on the other hand, there was a second Harlem characterized by “harsh economics, low salaries, and looming rent