Iranian artwork Essay

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Islamic Artwork made of Steel Iron from Iran

An Islamic art exhibition that captured my interest the most during my visit to the Metropolitan Museum of Art was the almost moon-shaped, steel made, Islamic inscription located in Gallery 458. Its origin is Iranian and it dates back to the 17th century. The steel artwork was constructed by Muslim Shiites. It is said that is was designed with a saw and drilled for an openwork art look. The language of the inscription is in Arabic and stands out because of its dexterously carven calligraphy. It contains two parts, one being the small band and the other the large band. The small band is a verse from the Quran and the other is dedicated to an invocation to Ali. The translation in English of the large band: “Habib (or) tabib (the larger band starts off with an end to a word; it is either habib-friend or tabib-doctor) every worry of grief will be removed by your guardianship (or sanctity) O Ali, O Ali, O Ali.” The translation in English of the small band: “And no one is equal to Him” (Surat Al-Ikhlas 112:4). The chapter and the verse concentrate and put an emphasis on pure monotheism. “And those who disbelieve would almost make you slip with their eyes through hate when they hear (the reminder)” (Surat-Al-Qalam 68:51). This part is said to be recited to ward off the evil eye. Since only half of the steel work was recovered, the missing part should include the continuation of Surat-Al Qalam. “But it is nothing else but a

Violence In Persepolis

absolutely appear as bolder in their expression and factor of view, in step with this concept. Even though now not posted in Iran, satrapy’s novel would appear to be a chief example of this. Different inventive expressions appear in the regime within Iranian borders. The techno-rock band the plastic wave is one such current instance. The plastic wave now not only play music with a tough edged, westernized sound, but they also write songs in open defiance of the authorities and its guidelines of repression…

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what is art Essay

regardless of culture or country bound. Generally, this is exactly what the Iranian artist Bahareh Bisheh’s series album does: resonating with people by reflecting a real problem in the world we live. Even though she is not a worldwide famous artist, her artwork touched a lot of people on internet. Despite the truth that Bahareh Bisheh is an Iranian, and she might mean to reflect some social problems in her world, I found her artwork was a mirror to my experience and the world I used to live—a world that…

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Shiri Shirin Neshat Biography

present in their community in a way that does not condemn them. Shirin Neshat is an Iranian artist who directs her art towards many subjects of controversial nature, mostly pertaining to the ideological Iran where she found her inspiration to create, and how the recently instilled fundamentalist regime affects women. Neshat’s nonviolent approach to feminism and equality through art speaks not only to the Iranian women she portrays in her work, but to all women.…

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Art Analysis: Woman Bathing By Mary Cassatt

was created during the years of 1890 and 1891. This piece is an example of a color aquatint. Its dimensions are 364 x 269 mm. I consider this piece to be an example of Japonisme because of the main focus in the artwork, a woman. Japonisme was known to contain images of women. The artwork was meant to beautify femininity. Japonisme was also known to use different angles in order to form its pieces. Cassatt depicts the different angles by changing the shape of the cabinet as the painting nears the…

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Who Is Satrapi's Identity In Persepolis

Marjane Satrapi’s Persepolis displays a view into the Middle Eastern culture through the eyes of an ever maturing Iranian woman. Henry McIntosh argues that the primary purpose of this graphic-novel is to dispel the fallacies of western observers and display Iran’s multi-faceted culture for the reader(McIntosh, 2013). A more important theme arises when the reader analyzes the transformation and discovery of the main character. The primary theme of Persepolis is that one’s identity can not be…

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Ringgold Civil Rights Movement Analysis

2a. A historical event that I think influenced Ringgold’s work was racial segregation and the Civil Rights movement in the 1960s. It represents the torment of black Americans before and After the civil war. It shows the struggle that she and her community went through trying to have equal rights with those of the white people. The black community was going through a lot at the time fighting for equal rights. Every person should be treated equally no matter their skin color, culture, ethnicity, etc…

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Ali Banisadr Essay

political conflicts in society. Ultimately, Ali Banisadr’s work demonstrates a dichotomy between a joyful celebration of abstract color and gestural forms, juxtaposed against a war-torn world in a poetic and lyrical manner. * The thirty-six-year-old Iranian born and current New York based painter, Ali Banisadr, believes that seeing and non-seeing are connected to motion and the mind’s imagination. He allows his mind to be taken over by his artistic process that is described as a “shamanic” experience…

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Rhetorical Analysis On 9/11

Additionally, America’s persistent political and economic dominance in non-Western nations was evident when the Central Intelligence Agency overthrew Mohammed Mossadeq, Iran's nationalist prime minister, in 1953 after Iran nationalized the Anglo-Iranian Oil…

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Persepolis Reflection

Self-Reflection: How Family Relationships and Mirrors Shape Satrapi in Persepolis In Marjane Satrapi’s graphic memoir, The Complete Persepolis, Satrapi represents her experience growing up in Iran throughout the 1970s, 80s and 90s by taking the reader on a journey to explore her complex relationships with her family, which have shaped the young woman she is today. Using the graphic memoir form, Satrapi’s visual representation of relationships with her mother and grandmother illuminates a deeper…

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Marketing Plan Essay

et al 2005) * Tokens or gifts (Boenigk et al 2011; Gader et al 2011) * In countries like Iraq and Saudi Arabia, one of the driving factors for blood donation is religious beliefs and duty. Maghsudlu&Nasizadeh’s (2011) study shows that Iranians vow to God that they will donate blood if their wishes came true so they make donations at special times of the year. In Saudi Arabia, motivation is influenced by the advice of the most respective…

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