The sixth scene elicits an image of two Jews, one being rich while the other poor, through the interplay of a rasping melody in the lower register and a chant like theme in the upper register. The seventh and the eighth movement of the piece contrast each other. The seventh movement, “The Market at Limoges,” has a cheerful and folksy manner; while the eighth movement, “The Catacombs,” portrays a strange shadow with baleful chords. The last two scenes of the piece are most talked about. “The Hut on Fowl’s Leg” portrays a nightmare as a goose named Baba-Yaga is looking for something to prey on. She charges—bounding in a virtuosic passage in octaves—right into the tenth and final picture, “The Great Gate of Kiev.” With a depiction of Hartmann’s sketch of a proposed city gate topped by cupolas in which carillons ring, Mussorgsky brings the piece to a majestic close