This essence of evil is undeniably embraced by Pacino, depicting Richard as the epitome of sin. He displays an infectious enthusiasm for the intricacies of Richard’s character, but portrays it differently in the docu-drama to appeal to an audience desensitised to violence by television and video games. The fluid movement of the pastiche structure from costumed performances to voiceovers to street interviews, from hand-held cameras to formal shootings, is a more relatable medium for our